It's not a bright, bubbly, or even joyous palette. These hues are a reflection of the Bride's need to be heard, to be seen. She will not be demure; she demands to stand out. This exhibitionism is further bolstered by the aforementioned dance numbers. The film is not just Frank and the Bride's story, but also their fantasy. Having long clung to Hollywood cinema for solace in a lonely existence (relatable!), Frank imagines meeting his bride as something out of a movie. He even mimics a Ronnie Reed dance move he saw on the silver screen to woo her. Later, they will envision themselves on the screen — as dancing lovers, as lurking monsters — and they will bring both of these fantasies into their journey, as they decide who they will be to each other.
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Nothing hits like a Bridgerton string cover. Shonda Rhimes' Netflix show has become synonymous with lively, romantic string covers of pop songs: Celeste's “Strange" from Season 1, Bollywood hit "Kabhi Khushi Kabhie Gham" from Season 2, Beyoncé's "Halo" from spin-off Queen Charlotte, and Pitbull's "Give Me Everything" in Season 3.